When I started writing historical mysteries, I made my sleuth posh so she would have the spare time and the spare money to go racketing about solving crimes. But I’m not posh (at all) and so, when I’m thinking about earlier times, I never imagine I’d be in the fringed flapper dress, or on the fainting couch. I always assume I’d be down in the basement, grating a block of lye soap to scrub the soot off something. I think that’s why I’m so endlessly interested in how the grunt work gets done.
I wrote...
Dandy Gilver and the Proper Treatment of Bloodstains
Just the most luscious plunge into the domesticity of the post-WWI period. I do quite a bit of research into the 1930s when I write Dandy Gilver, but Sarah Waters is something else again. Frances is trying to run a house for herself and her mother (plus the new lodgers of the title) and you can smell the Brasso and taste the bottled coffee as you read. The book is action-packed too – a real page-turner – but it’s Frances’ daily grind that will have you re-reading even once you know the ending.
This novel from the internationally bestselling author of The Little Stranger, is a brilliant 'page-turning melodrama and a fascinating portrait of London of the verge of great change' (Guardian)
It is 1922, and London is tense. Ex-servicemen are disillusioned, the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband and even servants, life is about to be transformed, as impoverished widow Mrs Wray and her spinster daughter, Frances, are obliged to take in lodgers.
If Frances Wray is a model of grit and doggedness, her exact opposites inhabit this 1930s novel. The Mortmains of Godesend Castle are hopeless. Stepmother Topaz does her best – dishing up meals like brussels sprouts and cold rice – but the castle is gradually emptying out as they are forced to sell their furniture, and they have so few towels that, on wash days, they have to shake themselves dry, like dogs. Every time I re-read this old favourite I want to shake them too: get a job, I mutter. Take in some extra washing, while you’re doing your own. But when the plot starts to move, with the arrival of rich American neighbours, I’m entranced all over again.
A wonderfully quirky coming-of-age story, I Capture the Castle by Dodie Smith, author of The Hundred and One Dalmatians is an affectionately drawn portrait of one of the funniest families in literature.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is illustrated by Ruth Steed, and features an afterword by publisher Anna South.
The eccentric Mortmain family have been rattling around in a…
There was no such thing as YA when I was the right age for it. I went straight from the school stories of Enid Blyton to bonkbusters, bodice-rippers, and sweeping historical sagas the size of building bricks. The Suffolk trilogy was always my favourite of those, because its sweep was so stupendous. (Book oneopens in the 1300s and Book three ends well into the twentieth century.) The Town House world is so physical, so brutal, so strange to modern eyes. The food, the clothes – my God, the plumbing! – the relentless scrabble to survive for all but the very rich, make this novel and, to some extent, its two sequels a completely immersive read. I particularly love that Lofts pays as much attention to the lowly folk who keep the place going as to the owners of the manor house.
The first volume of a trilogy set in Suffolk and spanning five centuries of a family's history. In 1391 Martin Reed was bound to the soil by the feudal system, but his resentment flared in open defiance and, encouraged by the woman he loved, he broke free to begin a new life.
The Baldwins live a small but happy life in London, until the bombshell day when Mr. Baldwin retires. He loses his raison d’etre, but his wife too has her life upended by his constant presence. Slowly their domestic bliss begins to unravel. Until they decide to do something beyond radical: they move to the county – to Greengates, a spanking new 1930s villa – and a thrilling fresh start together. I really mean “thrilling” too. This quiet and affectionate exploration of a couple remaking their humdrum life moves me to tears, even while the fascinating details of equipping and running a “new” house charms my socks off.
This is the third of Barbara Neely’s mysteries about a peppery African-American housekeeper, Blanche White, and the dirt she finds while she’s cleaning other people’s houses. It’s a different house in each of the novels – and a tough task to choose just one, I can tell you. This time, we find Blanche in Boston working for the Brahmin-ish Brindle family, who have got “too-good-to-be-true” written all over them. There’s a nifty plot, but what I love (and this can’t be a surprise after the first four books, surely) is Blanche’s take on everything from how a spice-rack is organised, to why rich people have such ugly art. She is irresistible. I wish somehow she could meet Frances Wray (from The Paying Guests) and share some of her moxie. I’d kind of love to hear her thoughts on the Mortmains too.
“Barbara Neely’s skill is a force to be reckoned with!” Essence Magazine
The third, ground-breaking mystery featuring African-American maid and amateur sleuth Blanche White by Agatha, Anthony, and Macavity Award winning Author Barbara Neely, the 2020 Mystery Writers of America Grandmaster
Blanche White is working as a temporary cook and housekeeper for a right-wing, Massachusetts gubernatorial candidate Alistair Brindle when someone tries to blackmail him. It’s an ugly mess that Brindle’s political team is eager to sweep under the carpet and that Blanche can’t resist cleaning up herself…especially after a young black man is killed who knew too much about…
Edinburgh, 1926, and aristocratic detective, Dandy Gilver, is going undercover as a lady’s maid in a grand house where all is far from well. Her own maid offers some tips and the lady of the house is in on the secret, but fooling the other twelve servants is the toughest challenge of Dandy’s career.
When the trouble turns to gruesome murder, Dandy the maid must care for a great deal of ruined linen, while Dandy the detective tracks down a killer.
About myself: As a novelist I’m crazy for detail. I believe it’s the odd and unexpected aspects of life that bring both characters and story worlds to life. This means that I try to be an observer at all times, keeping alert and using all five – and maybe six – senses. My perfect writing morning begins with a dog walk in the woods or on a beach, say, while keeping my senses sharp to the world around me and listening out for the first whisper of what the day’s writing will bring.
This book is a literary historical novel. It is set in Britain immediately after World War II, when people – gay, straight, young, and old - are struggling to get back on track with their lives, including their love lives. Because of the turmoil of the times, the number of losses, and the dangerous and peculiar circumstances people find themselves in, sexual mores have become shaken and stirred.
But what happened after the war, in the time of healing and settling down? This novel examines the emotional, romantic, and sexual lives of three characters searching for a way to proceed.
Love never dies in this novel by “a writer of addictive emotional thrillers” (The Independent).
Told from three perspectives A Particular Man is about love, truth and the unpredictable consequences of loss.
When Edgar dies in a Far East prisoner-of-war camp it breaks the heart of fellow prisoner Starling. In Edgar’s final moments, Starling makes him a promise. When, after the war, he visits Edgar’s family, to fulfil this promise, Edgar's mother Clementine mistakes him for another man.
Her mistake allows him access to Edgar’s home and to those who loved him, stirring powerful and disorientating emotions, and embroiling him…